Man of the Shroud in 3D

Ongoing Holographic Research

The holographic and anaglyph images that we produced are still being investigated. You have to be very careful with the interpretations and to give some examples where we found 3D reliefs in the image and are looking for possibilities of what that could be, look at the photographs Figure 1) till figure 4).       

Figure (1) shows the region of the hands. In the wrist area of the anatomical left hand, between the wrist-wound and the metacarpalia that are visible, we can see a 3D relief, that looks like a rope. That would show that the wrists were bound together here and that the arms were not tied to the body.

 

Figure 2) is an anaglyph photo of the same region (use 3D glasses). This is NOT a final explanation for this 3D relief however !!

 

Figure 3) shows also a 3D relief on top of the fingers of the left anatomical hand where parts of the fingers are not visible. This has the shape of a little bottle with a tap. Again this is only to show that there are abnormalities in the image in 3D, but we do not pretend to have a final explanation !!

 

Figure 4) shows the same region again with a different interpretation. This time we drew in the shape of a flower. Again this is not the final explanation as we are still continuing with the research

 

Of great interest in the 3D-studies are the image-less areas, for example:  under the beard, the sides of the face,(a possible solution you will find under the chapter FINDINGS).   

Also the areas around the hands and the lower parts of the arms, the sides of the upper legs and specially the right anatomical upper leg and the lower parts of the legs are image-less  areas of great interest. 

 We know from the investigations of Alan Adler, that under the bloodspots there is no image. We know also from the investigations of Prof. Avinoam Danin that there are flower- and plant images on the Shroud and the body-image. It is realistic to state, that seemingly the presence of the blood and the flowers blocked the formation of the body-image. That means also that whatever “energy” formed the image of the body, that this energy seemingly came from inside the body in an upward and downward direction and was blocked by solid objects like the blood or the flowers and plants.      

 For the 3D-investigations the image-less areas are of the utmost importance, because the question is basically: Was there something solid present in these image-less areas that blocked the formation of the body-image ????? So the research is only beginning and we are developing more sophisticated techniques of 3D conversion and imaging.      

 An interesting discovery to mention is the following. When Bernardo Galmarini started with the 2D to 3D conversion he first took away the bloodspots in a complete layer, because these bloodspots contained a lot of “digital noise” and formed by direct contact with the linen, so they were not part of the gray-scale of the image. After finalizing the conversion to three dimensions, this layer, containing the bloodspots was carefully positioned on top of the 3D-image of the body and it was interesting to note that they ended up anatomically correct. The blood in the hair for example ended up IN the hair again and not on the side of the face, where some investigators concluded that it should have been.    

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